Anthony and Joe Russo’s The Electric State, a Netflix original film based on Simon Stålenhag’s graphic novel, offers a visually striking yet narratively uneven journey through an alternate 1990s America. Combining retro-futuristic aesthetics with an intimate character-driven story, the film features Millie Bobby Brown as Michelle, a teenage girl searching for her missing brother. She is joined by a loyal robot companion, Cosmo, and a roguish smuggler, Keats (Chris Pratt), as they traverse a post-apocalyptic landscape shaped by a mysterious robot uprising.

From the outset, The Electric State captivates with its meticulously crafted world. The Russo brothers and their production team have created a setting that blends 90s nostalgia with advanced technology, evoking a sense of wonder and melancholy. The cinematography and CGI work together to bring Stålenhag’s evocative artwork to life, making this one of the most visually immersive films in recent memory.

The performances, particularly from Millie Bobby Brown, are another highlight. Brown brings depth and emotional weight to Michelle, making her journey compelling even when the script falters. Chris Pratt’s Keats adds a layer of levity and rugged charm, though his character sometimes feels like a variation of his past roles. The chemistry between the leads is engaging, even if some emotional beats don’t land as powerfully as intended.

While the film excels in atmosphere and aesthetics, its storytelling is less consistent. The narrative follows a fairly standard quest structure, and while it offers moments of intrigue, it lacks the depth needed to make its themes genuinely resonate. Themes of human-robot relationships and technological dystopia are introduced but not fully explored, leaving the film feeling more like a surface-level adventure rather than a thought-provoking sci-fi epic.

Pacing is another issue. At over two hours, the film lingers too long on specific sequences while rushing through others. Some plot developments feel predictable, and a few character arcs remain underdeveloped. Additionally, unexpected product placements, such as a bizarre cameo by Mr. Peanut in a revolutionary war-like setting, feel tonally dissonant and detract from the immersion.

Ultimately, The Electric State is a visually mesmerizing but narratively flawed experience. Fans of Stålenhag’s work and those drawn to richly imagined sci-fi worlds will appreciate its aesthetic brilliance. However, those looking for a deeply engaging story may feel underwhelmed. While not a misfire, the film struggles to balance its breathtaking visuals with a compelling narrative.